HOMECOMING Releases Full-Length Debut Album

HOMECOMING, the youth-driven worship collective, has released their highly anticipated full-length debut album, HOMECOMING 2024–2025, via NRT Music. The 11-track project features 10 songs that have already become anthems for a new generation of worshippers, along with one exclusive new recording–a live version of Elevation Rhythm’s “GOODBYE YESTERDAY.”

HOMECOMING 2024–2025 marks the band’s inaugural yearbook album: a bold snapshot of a group writing songs today’s generation can actually connect with. Blending pop hooks and worship anthems, the record captures the highs, lows, and searching moments of faith with unfiltered honesty. Each track feels like a page from their collective story–authentic, energetic, and built for listeners to sing loud and make their own.

Already, HOMECOMING’s music is finding a wide audience. With streams approaching 400,000 across all platforms in their first year, and their live video of “Happy Day” going viral with hundreds of thousands of organic plays, the band has proven their ability to resonate with listeners both online and in person. This early momentum sets the stage for HOMECOMING 2024–2025 to make a significant impact upon release.

HOMECOMING is a worship collective rooted in the energy of youth and the honesty of lived faith. While their heartbeat is to write songs that give students a voice, their music resonates far beyond a single generation. With pop-forward production fused with the depth of modern worship, HOMECOMING creates songs that are both culturally relevant and spiritually timeless. Their debut yearbook album stands as a first chapter–offering raw authenticity while pointing listeners to hope, beauty, and belonging in Christ.

“HOMECOMING exists at the intersection of culture and church,” the band shares. “We don’t pursue excellence as performance but as invitation. Every lyric, every melody is about drawing students, parents, and communities into worship. We want to remind people that the story of faith is still being written–and that every generation has a place in the song.”